URINETOWN! (THE MUSICAL)
Gordon College | 2016
Directed by Jeffrey S. Miller
Lighting Design by Grace Ulrich
Costume Design by Danielle Preston
An industrial factory setting served as a versatile location for "Public Amenity #9" and U.G.C. (Urine Good Company).
THE CHERRY ORCHARD
UNC School of the Arts | 2012
Directed by Tanya Belov
Lighting Design by Ansel Hollis
Costume Design by Danielle Preston
A purposeful move away from realism allowed for some poetic versatility in scene transitions. Lowering a swing from a tree limb created an outdoor scene, while the presence of a glowing chandelier brought us back indoors.
LA FINTA GIARDINIERA
UNC School of the Arts | 2014
Stage Direction by Steven LaCosse
Lighting Design by Manuel DaSilva
Costume Design by Katie Goldberg
“The Pretend Garden-Girl” is an Italian, comedic opera set to a classical Mozart score. Most of the action takes place at the Mayor’s garden, and a grotto where our romantic leads lose their minds. All return to the Mayor’s villa where a triple wedding makes for an ending with thrice the happiness.
ASSISTANT DESIGN WORK
Various Productions | 2012-15
Skills include research, model building, paint rendering, and drafting. Following are a few references with incredible online portfolios:
John Coyne
Eduardo Sicangco
Robin Vest
For a complete list, please see my RESUME.
ALL RIGHTS FOR PHOTOS AND CONTENT RESERVED TO AMBER PRIMM.
ALL RIGHTS RESERVED TO Marshall Astor , The gallery images are by www.MarshallAstor.com
THE MASTER & MARGARITA
Salem State University | 2016
Directed by Peter Sampieri
Projection & Lighting Design by Michael Harvey
Costume Design by Ryan Goodwin
Based on Mikhail Bulgakov's novel, the devil comes to Stalin's Moscow, wreaking surreal and magical havoc. Told through the eyes of writer "Ivan," the audience is thrown into an insane asylum with him. The devil takes him on an extraordinary journey as he tells the story of another writer called "The Master" and his lover "Margarita."
AMADEUS
Gordon College | 2017
Directed by Jeffrey S. Miller
An immersive version of Peter Shaffer's play, where scenes occur in and around the audience.